Selected Screenplays

Best Little Boy

(Feature, Comedic Thriller)

At an elite prep school, a gay misfit obsesses/crushes over his new school’s seemingly perfect, and likely closeted, golden boy. When one of their classmates is killed after a freak accident, he suspects the object of his desire/loathing could be a violent psychopath— albeit a very cute one.

Black List Recommended

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Past & Presents

(Feature, Holiday Rom Com)

When the workaholic manager of her family’s failing department store makes a Christmas wish to revive the store to its glamorous past, an enchanted elevator sends her to the 1960s. To return to the present, she must uncover the magic behind the store’s lost glory; in the process, she’ll also find a surprising new love.

Sold to MarVista Entertainment

Sir & I

(Pilot, 30 minute, Dark Comedy)

When an adrift yet ambitious twenty-something takes a gig economy job as a mysterious European emigre’s butler —yes, like actual butler —the two form a toxic, codependent and not not gay relationship that will have both of them emotionally and financially extorting the other and exorcising long-held secrets.

Selected for the Orchard Project Episodic Lab

Sheepish

(Feature, Comedy)

When endocrinologist Dr. Peter Woolinsky publishes his study on ovine sexually dimorphic nuclei, he has no idea the trouble it will cause. But with PETA, international tennis stars, and the Conservative Christian Right show up outside his office to protest, he quickly learns that the subject of his research — so-called "gay sheep" — is not as innocuous as he once thought.

Winner Carnegie Mellon/Alfred P. Sloan Screenwriting Award

Finalist Tribeca Student Grand Jury Prize

Second Rounder Austin International Film Festival

Traitorous

(TV Pilot)

Based on the life of technology pioneer Robert Noyce, "Traitorous" depicts the birth of a new industry, the tumultuous transformation of a community, and the break-ups and betrayals that preceded one of the 20th Century’s most important technological breakthroughs: the microchip.

Second place winner of the Carnegie Mellon/Alfred P. Sloan Screenwriting Award.